Say Her Name (2017) responded to the death of Sandra Bland, a 28-year-old Black woman who died in police custody in Texas in 2015, and is widely believed to have been murdered by the state. Though seemingly apolitical, the bouquets offer an outlet for expressing grief, and an attempt to reconcile loss and despair through the decorative function of painting. Packer first began painting flowers while studying in 2012. Mining the fragility and immediacy of the medium, Packer uses charcoal to render images that further examine the dynamics between subject and artist. Texture, line, and form is suggested rather than defined, lending the composition a casual immediacy while reflecting the intimate nature of Packer's relationship to her subject.Īlongside her paintings, Packer explores the potential for drawing as a 'counter-practice'-intending for her drawings to operate independently rather than as preparatory studies. For James III (2013) presents a carefully painted, detailed figure, curled up on the suggestion of a mattress executed in a thin, pale blue wash. The artist's selective focus is revealed through her deliberation over detail and the density of her paint application within each work. Her palette is typically restrained to a few feature tones which establish the mood of her images, as seen in the ochres of the portraits Tia (2017) and April, Restless (2017), or the pinks and reds in The Body Has Memory (2018). Paintings and DrawingsĬomposing her images through observation, memory, and improvisation, Packer paints in oils with a loose, expressive style. Jennifer Packer's works reflect a considered exploration of representation, race, and art history, subverting genres including portraiture, still life, and interiors. Packer is based in New York, where she is Assistant Professor at the Rhode Island School of Design's painting department. In 2012, she graduated with an MFA in Painting and Printmaking from Yale University. Listings wanted.Jennifer Packer gained a BFA at Temple University's Tyler School of Art in 2007. Therefore many times they have the same color. It does not have anything to do with image making.” Her generosity towards her models may be big, but the space, the context, is very important too. The viewer has to feel the human contact, the realness of the person. Packer looks for tenderness, for vulnerability, for intimacy. They are not sitting straight, they hang in the chair. The models are not posing, they are relaxed, confident. Sometimes she makes sketches, most of the time “it just happens”. She asks friends and relatives to sit for her. Jennifer Packer makes portraits and still lives. She recognized the underlying human intentions. The works of Caravaggio were an eye opener. In 2005 she got the chance to go to Temple University’s Rome program to study. Yale stimulated her to spend time studying her predecessors such as Velasquez, Picasso, Morandi, Philip Guston and many others, and encouraged her to gain a scholarly insight into art history. She learned to talk about her art, to express her ideas in words, and, if necessary, to defend them. Yale also made it possible for her to have many conversations about work and the working process. It gave her space to work in her studio without being disturbed. She received her BFA there at the Tyler School of Art, Temple University. Art Brokerage: Jennifer Packer American Artist: Jennifer Packer is a Black woman, Philly-native, and painter.
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